Lutsky introduced Conaway to the folks at Ember Lab, a start-up digital effects house in Southern California "With the large amount of VFX work that had to be done, Jarrett could have easily spent his entire budget on post production alone if he had used an established Hollywood studio," says Ember Lab's Josh Grier "We wanted to propose a bid that replica Rolex 116233-CSJ Men's watch fit within his budget and would allow us to sustain our selves for the duration of the project. " For the team at Ember, Turbo was their first complete project and the experience of working on this type of film was by far their biggest drive to get involved
That, and the arcade gaming. "My brother Mike and I lived in Tokyo for about three years and we have always been fond of the Japanese arcade culture," says Grier "After watching the first cut of Turbo, we knew right away that we wanted a hybrid look, combining elements of the retro eighties gaming culture with Japanese arcade flair. " Those retro replica Rolex 116528-MDO Men's watch elements were massaged so that they felt futuristic and a look was developed that Conaway agreed completed his vision
"The most challenging part of Turbo was not a specific effect, but the design work that went into developing Turbo's game system," says Grier "The HUD, UI and the futuristic TV were featured in about 75% of the shots and all had to be developed replica Rolex Oyster Perpetual Datejust watch from scratch. "Not only was the game system complete mapped out, but the game's mechanics "People sweat when they play DDR in arcades, right?" asks Conaway
